I am co-organizing with Dimitrina Sevova a symposium entitled The Diagrammatic Practice of the Micropolitical – the Spatio-temporal Expression of Play between Power, Knowledge and the Aesthetics of Existence at Zurich University of the Arts.

Here are all the infos:

International Public Symposium at Pfingstweidstrasse 6, 8005 Zurich, ZHdK, 14/15/16 November 2013, around the notion of play, its processual (diagrammatic) and political and aesthetic potential in times of cognitive capitalism and its mechanisms of control over life and the urban environment.

Left: "The Playground, a Vacant Lot," Hale House, Boston, Mass., c1903, Social Museum Collection, Fogg Museum, Harvard Art Museum.  Middle: Seattle Potlatch Parade showing float, 1912. Right: Nuria Vila + Marcelo Expósito, Tactical Frivolity + Rhythms of Resistance, video still, 2007.

Left: "The Playground, a Vacant Lot," Hale House, Boston, Mass., c1903, Social Museum Collection, Fogg Museum, Harvard Art Museum. Middle: Seattle Potlatch Parade showing float, 1912. Right: Nuria Vila + Marcelo Expósito, Tactical Frivolity + Rhythms of Resistance, video still, 2007.

SPEAKERS: Paolo Caffoni, Giusy Checola, Binna Choi, discoteca flaming star (Cristina Gómez Barrio & Wolfgang Mayer), David Dibosa, Anja Kanngieser, Maurizio Lazzarato, Isabell Lorey, m-a-u-s-e-r (Mona Mahall & Aslı Serbest), Carmen Mörsch, Daniel Morgenthaler, Roberto Nigro, Susanna Perin (S.M.U.R.), Gerald Raunig, Adrian Rifkin, Kerstin Schroedinger, Marco Scotini, Diego Segatto, Joshua Simon, Kuba Szreder, Axel Wieder, Espace Temporaire (Magdalena Ybarguen).

RESPONDENTS: Jens Badura, Christoph Brunner, Karmen Franinović, Roberto Nigro, Romy Rüegger, Dimitrina Sevova.

PERFORMANCES: Chiara Fumai, T. Melih Görgün, Michael Hiltbrunner, Franziska Koch, David Maroto.

SCREENINGS: Marcelo Expósito, Silvia Maglioni and Graeme Thomson, RELAX (chiarenza & hauser & co).

MICROPOLITICAL WORKSHOP: Wiktoria Furrer & Sebastian Dieterich in cooperation with Elke Bippus.


Throughout three intense days the symposium will be an experimental space for expressing and sharing ideas – a place for intervening, investigating and provoking collective discussions on how to re-activate play’s potentiality in urban space, considered as a playground of deskilled, affective and precarious labor.

The symposium aims at relocating the notion of play from the outdoor to the outside as an ecology and extended space for experimentation and micropolitics beyond spatial confinement. We ask how such an outside emerges through practices unfolding and altering dominant diagrams of power in urban environments. Here, playing-together involves the capacity of forces of resistance to create situations as intensive fields of affection through the micropolitics of diagrammatic practices. Both, playing bodies and the process of learning as a common, a self-productive and living knowledge, perpetuate new forms of social subjectivity and its immanent growth between power, knowledge and an aesthetics of existence.

Bringing together artists, curators, activists and thinkers from the fields of performance, art, aesthetic theory, philosophy, architecture and design, the symposium comprises talks, artistic interventions, performances and screenings.

Curated by Dimitrina Sevova and Christoph Brunner in cooperation with the Bachelor Media & Art, specialization Fine Arts of the Zurich University of the Arts, Elke Bippus, Franziska Koch.

A cooperation with Z+ ‹ http://www.zhdk.ch/zplus ›.

In conjunction with the a-disciplinary project consisting of a platform of irregular non-serial events, screenings, public readings, performances, talks, urban interventions and other ephemera, on the theme of Opportunities for Outdoor Play? Playgrounds – New Spaces of Liberty (The Question of Form) outdoorplay.tumblr.com ›, curated by Dimitrina Sevova at Kunsthof Zürich between March and October 2013 in cooperation with Elke Bippus, Franziska Koch and the Bachelor Media & Art, specialization Fine Arts of the Zurich University of the Arts.

For further information please see ‹ outdoorplay.tumblr.com › or ‹ www.kunsthof.ch .

No registration required. Admission free. Seats limited. Please be on time for each thematic bloc, performance or screening.

[The curatorial text by Dimitrina Sevova and Christoph Brunner, and all other materials, can be found on the project blog, outdoorplay.tumblr.com. And in printable layout as PDF: programabstracts and bioscuratorial text.]

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I have been asked to participate in the accompanying conference of this year’s Netaudio Festival in London. Since I attended the festival in its first generation in 2006 it has developed massively and presents itself as a solid discourse on general themes concerning collective creative production, issues of open source and various forms of sonic expression, from broadcasts, to live performances and discussion panels.

I will be part of a panel entitled “Creativity and Collaboration in the Internet Era” together with Michael Bauwens, Matt Fuller and Tamara Barnett-Herrin. Other panels include Liliane Ljin, Jeremy Gilbert, Matthew Herbert, Mark Fisher and the UK Uncut.

The format of the conference defines for me the most exciting aspect. While there will be short presentations, a main focus lies in the formation of small working groups with each of the panelists to have in-depth discussions. After some internal discourse the groups will then come together to present their insights to the rest of the panel. I deem it as a relieve to partake in a more experimental format that allows for some dialogue beyond self-representational modes usually deployed at conferences.

In my mini-presentation I will take on the notion of the transindividual in the work of philosopher Gilbert Simondon to discuss modes of collective individuation that are different from general concepts of collectivity as a multitude of bodies. If possible I will make use of the last Senselab event “Societies of Molecules” to highlight modes of collective individuation with the help of online-platforms and actual gift economies.

ICMC 2009 Christoph Brunner - A Cultural Approach Toward the Interface

Attending the ICMC (International Computer Music Conference) I have seen various presentations so far of which I liked the two by Robert Gluck form Albany University most. The conference in total is very well organized and the crowd as usual appears attentive and precise. Tomorrow at 9.20 a.m. I will give my paper “A Cultural Approach Toward the Notion of the Instrument” in the Paper Session entitled Aesthetics. I regard the allocation of my paper as very suitable and will hopefully be able to give an insight on an ehtico-aesthetic approach towards creative music production and instrument/interface design. Here is the abstract:

“In the field of computer music research the development of new input devices for musical performance and sound interaction plays an important role. This paper explores the cultural implications embedded in the use and concept of the notion of the instrument in such fields. Cultural implications in this particular context are the meaning structures that evolve from knowledge expressed through language and developed through practices. The main focus of this inquiry is based on the potential to detect the impact of new computer music research on its socio-cultural environment. Concepts such as assemblage and ecology will propose alternative ways to address the hybrid relational (interdisciplinary) networks that create such input devices. This approach proposes alternative models to conceptualize interaction as performative relations between humans and nonhumans, as outlined in the domain of Science and Technology Studies. Computer research interweaves the cultural dimensions with a social context and foregrounds the political implications signified by its practices and technologies.”

The full paper can be downloaded here