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A bit later than thought, I am positing some images from the collaboration between Martina Fritschy and myself for the dOCUMENTA 13 readers circle we participated in on June 26, 2012. We picked Brian Holmes‘ essay “Profanity and the Financial Markets: A User’s Guide to Closing Down the Casino” from the 100 Notes/100 Thoughts Series. Our idea was not only to read and discuss the text but to change the affective tonality of such a situation toward a less hierarchical and more mutually engaging manner. We started off by facilitating drinks and inviting the members of the Occupy camp outside the Fredericianum to be our guests (thus bypassing entry-ticket checks). After approximately 30 minutes of reading 15 pizzas have been delivered to the main entrance of the gallery allowing all of us to enjoy some food while talking about the text. After about an hour we were asked to vacate the space leading us to continue our exchange occupying the stairs in front of the building.

Questions coming from our experience remain: How can we undo the appropriation of philosophy and political theory by a constantly hollowed out art dispositif? What are the techniques at hand beyond bringing together signifiers and signs? Which vocabulary can we develop for a more gestural approach through “a-signifying processes of existential singularization” (Guattari “Entering the Post-Media Era”)? And how can we move from figures such as analysis and debate toward more open-ended formations of collective aesthetic practices?

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categories: activism, politics
tags: , ,

occupy

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Below a video explaining the Political Equator, a concept I heard first of in the work of Teddy Cruz. There will be a conference June 3&4 in San Diego/Tijuana. Their website will provide full detailed information as of May 14.

As a current resident of Switzerland I wonder why not leave one of the apparently most obviously racist countries in Europe? At least so, according to the world press after last Sunday’s referendum on the deportation of criminal delinquents that reside in Switzerland but are not Swiss citizens. What is internally known as “Ausschaffungsinitiative” is a proposal by the rightwing party SVP that aims to lower the threshold for deportation of criminal offenses for residents with immigrant background. That the proposal as it was propagated might transgress common values of human rights confines the main problem after the referendum has been accepted by 53% of the society.
The incongruence is striking between general self-relfection on the Swiss society the harmony between high percentages of foreigners in urban areas (e.g. Zurich up to 30% and Geneva up to 40%) and the sheer ignorance, xenophobia and idiocy in rural areas. There seems to exist a shared common sense amongst the few who might belong to a local urban intelligentsia that one lives in an open and multicultural society. From my point if view, such perspectives are based on highly bourgeoise values expressed mostly by members of the society with high incomes working for universities, banks and insurance companies.
The reason to stay though might be to seek out the grains of resistance that do exist and to see how they function and work. Another interesting aspect is the fortunate circumstance for me to work at an art school where for students precarity is omnipresent and where the intellectuals have to work outside the acclaimed institutions that are legitimized to produce ‘real’ knowledge or ‘real’ values. Hence, I am wondering why the grains of resistance have not found more poignant formats than the usual, still beloved, visual gestures of street art? One thing is for sure, the subaltern cannot speak, since this might be already considered as enough of a offense to be deported. Hence, I guess one has to find modes of creative intervention that do not speak but act, that use new modes of expression to make the public feel that things are developing in nasty ways. I guess it is time to re-instantiate struggles and to make the force of desire become palpable.

ausschaffung

This nice video shows what I would call an ethico-aeshtetic and ethico-political intervention into the crisis shaken British student body that is facing decades of dept for higher education that only privileged members of society will have access to [unless you buy into being in depth for the 20 years to follow the moment of your graduation] … or has anyone heard of a new massive scholarship program to be launched by major banks and the government? I guess not.

This is a commentary and reflection on the ongoing discusssions in Hamburg (Germany) about a complex of historic buildings close to Hamburg’s city. The disctrict called “Gängeviertel” in proximity to the city center consits of 12 remaining buildings of the former working-class area. Hamburg’s city council in its continuous treatment of urban space as commodity to be sold at maximum profit disregards the need for affordable housing and culturally transversal zones. DIfferent from Berlin Hamburg suffers from a continuous loss of affordable work and production places for young artists and creative communities (it is probably just a matter of time until Berlin arrives at this stage). More than 200 artists have started to peacefully squat in parts of the buildings for exhibitions, info-cneters, performances, lectures and concerts/parties. The resonance of the interventions has effected more than 10.000 visitors s far. The city who originally sold the property to the Dutch investor Hanzevast is under pressure to resign form the contract and consider alternative developments of the area. The creative community united under the title “Komm in die Gänge” (a word-play on the title of the district meaning something like “move it!”) proposed recently an alternative development plan. Here are two videos, one in German but it provides good insights and another showing a flashmob in front of the city hall against the elimination of important cultural institutions in Hamburg.

Such inspiring activities call for several questions regarding resistance and potentials for interventions and strategic occupation of space. It seems like the negotiation of a spatial environment receives a wider interest through its presence than other less material and less tangible forms of protest. The size plays an important role but also the pressing issue of a lack of space in the city and the desire for liveable and affordable districts with a rich cultural atmosphere. The collective initiative depends heavily on the factor of spaciality and the distribution of matters of interest in the spaces. In an environment of a a major city and the despair of creative cultures that move to Berlin and other countries, Hamburg has the chance to convert a site into something productive in an ethico-aesthetic manner. In other words, the groups that form a collective seek paths for enunciation that operate on margins between a molar issue and its appropriation.

The delicacy of dealing with large-scale sell-outs of space to corporate money reveals its problematic in a double-folded situation. In the molar capture of a capitalist purpose either option, a sell-out or a culturally diverse and sustainable renovation of the district, offers little room for a difference in terms of a creative climate beyond capitalist appropriation. Being marketable will always remain the general purpose if larger investments are at stake. On the other hand the creative force of adaptation seems to be transversally present throughout different notes of critical response to the lack of space, culture or support. One of the major fields of investment should be the creation of collective enunciations that address the issues of molar capture at many levels and through different strata. A rather topological generation of regions with sets of creative practices and their forces. In such a way the predominance of space seems persistent when it comes to a wider recognition of a problematic field. Such a spatial point of entry therefore has to be adapted and extended by its durational nature, its transversal practices and topological unfolding. It sometimes seems to be more reasonable to negotiate a minimal support and therefore a maximum of autonomy. If the city council involves in a remodelling project of the sight it might be advisable to create autonomous formats of a cooperative, with more self-organization and little reliability on the financial situation of the city.

In a deleuzoguatarrian manner I regard the second video, of a flashmob that creates noise, as a cut into the rhythm of solidified space, creating its own rhythm and connecting new milieu’s. Such practices might be a sign for a resistance and practices to come. The foundation of the molar deployment of reason fundamentally disintegrates in light of transversally powerful (meaning creative) rhythms that offer new collective modes of enunciation.

space invaders - impression taken by christoph brunner in paris 2009
In relation to my research and the fabulous projects that surfaced in the last years I thought it would be useful to have some hints towards really great sites for urban activism, actions and interventions that happen in the in-between spaces of the urban fabric. One is co-founded by Jean-Francois Proust and entitled Adaptive Actions - he is also involved in Montréal’s VIVA! Art Action festival of which I will report more throughout the week. Another great site is the well acclaimed and really beautiful site of the CCA’s (Canadian Centre for Architecture) exhibition Actions. FInally a site a good friend pointed me out to in Europe *Book [of] Urbanism. All three propose transversal, activist and creative practices that shift urban configurations and create pockets of difference.