After submitting a shift proposal (the more performative format) for the next Performance Studies International Conference in Leeds, June 27-30 2012, we, Bianca Scilar Mancini, Alanna Thain and myself, have been accepted with our proposal Ecologies of Siting. Here is the abstract:

ABSTRACT

Ecologies of Siting

The relation of ecology and economy coincides with the concerns of our inter-institutional Research–Creation series “Technologies of Lived Abstraction”, which culminated in July 2011 with ‘Generating the Impossible’. 55 participants explored the limits of a collaborative creative process through techniques of improvisation across heterogeneous backgrounds, following no scripts, without a predetermined landing site, and responsive to the durational intensities of encounter. An always-dissolving collective dedicated ten days to a critical multidisciplinary creative process that involved both a movement of thought and a production of an aesthetic residuum, i.e., an art “object”. This shift is a creative recapitulation of that event’s echoes (where porosity was already a compelling prompt). An “Ecology of Sitting” is based on a process of the improvisation of differential disciplinarity, a contagious attentiveness to how we define environment and landscape as an event-location.

This porous shift will radically experiment with performance methodologies for the improvisation of thought, a critical alternative to and reactivation of the (in)attentive audience of the traditional conference format.  Addressing the notion of concepts, bodies and the environment as variations of duration, we will seek modes of provoking sliding forces always improvising in the ways they generate confounding ecologies to challenge dualisms of body (agent/actor/performer) and environment (site/ location).

The radicalism of our proposal lies in our trust in the event of the encounter, and our conviction that authentic collaboration cannot be catalogued prior to sharing and exchange between participants. What we share are procedures and techniques for the improvisation of thought.

We propose biweekly working group meetings where participants accumulate conceptual or artistic residuum (defined here as the experiential liveliness of duration) from discussions shared through virtual meetings and tasks, as ecologies of improvised thought.  Drawing on a Guattarian ecosophical rejection of a human/non-human dualism, our performance technique of “attentiveness” will be geared towards (re)discovering an “agency of assemblages”, rather than an “acting upon” of the performance of the encounter. “Ecology of Sitting” resists a predetermined utility based on the economies of institutions (academic or arts), and reopens zones of collaborative attentiveness as a method of opening to unexpected connection.  As a set of techniques, we use a creative diagrammatics (Deleuze) drawn from movement work and event-based visual practice.  The goal is to produce a distributed attention that challenges the distinction between rehearsal and event, in an anarchival approach.

1 comment

mariya

February 15th, 2012

Hey,

I am conducting research and exploring themes eerily similar to yours, and I would love to discuss your ideas. I am looking to apply to PhD programs for next fall, and am coming to visit Montreal this March. Please do get in touch, I would love to chat with you while I am visiting the city. ( I could not find your email anywhere on this site, so I chose to add a comment, but I would appreciate if you deleted the comment after you read it)

Wishing the best,

M

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